MELODIC MINOR SCALES GUITAR HOW TO
The scale has the intervals: 1 b2 3 4 5 b6 b7Īnd if we were playing C phrygian dominant, we would get a neoclassical scale with the following notes: C Db E F G Ab Bb Phrygian Dominant Scale Tab Guitar tab of C phrygian dominant scale Phrygian Dominant Scale Fretboard Diagram Two string phrygian dominant scale on guitar How to Use The Phrygian Dominant Scale Named due to its similarity with the phrygian mode, the phrygian dominant can be thought of as a phrygian scale with a major third, creating the 1 M3 P5 m7 intervals in a dominant chord. If you thought the harmonic minor had a cool sound, just wait until you hear this. Try combing the harmonic minor scale with some minor arpeggios with this guitar lesson The Phrygian Dominant Scale It’s a very cool scale and one that you will have a lot of fun with! For example, if you are playing over E minor, try an E harmonic minor scale. You can play a harmonic minor scale over any minor chord with the same root note. Harmonic Minor Scale Tab Guitar tab of C harmonic minor scale Harmonic Minor Scale Fretboard Diagram Two string harmonic minor scale on guitar How to Use The Harmonic Minor Scale The harmonic minor scale has the intervals: 1 2 b3 4 5 b6 7Īnd if we were playing C harmonic minor, we would get the following notes: C D Eb F G Ab B The original king of neoclassical guitar scale, the harmonic minor scale has an unmistakable sound. Lets take a look at some of these neoclassical scales and how we can use them in our guitar playing: The Harmonic Minor Scale By playing neoclassical scales on guitar, we can create some incredibly rich and interesting sounds in our playing an improvising. Take your guitar playing to the next level.Neoclassical guitar scales are really, really fun. Likewise if you compare this mode to the Phrygian mode (mode 3 of the major scale) you could also consider this a Phrygian mode with a sharp 6th degree.ĭorian b2 Lydian Augmented Lydian Dominant Mixolydian b6 Locrian #2 Altered (aka Super Locrian) Strings of Rage™ Syndicate Membership Join The Strings of Rage Syndicate! Take the dorian mode and simply flat the 2nd note in every octave. Since I know that, these modes simply make adjustments to that mode. You could say, well I already know the Major Scale modes and have them under my fingers.
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For example lets look at the 2nd mode of the Melodic Minor Scale, the dorian b2 mode. This is why the modes are named the way they are. One way to look at the different modal families is to understand the subtle differences between the mode your playing and one that you are already familiar with. You can make subtle adjustments to modes you already know in order to yeild a new set of modes. You need to figure out what works best for you in terms of referencing and remembering the modal positions. It’s a personal approach, so don’t fee like there is a right or wrong way. There are many different approaches you can take in order to help visualise the Melodic Minor Modes when you’re learning these shapes.
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If you don’t know the conventional modes already you’ll definitely need to nail those down first. I’ve always found that the melodic minor modes feel quite ‘backwards’. Generally these modes have a whole tone & augmented type of sound which can be a great way to spice up an otherwise bland melody or sequence. However with a little understanding of the construction of these modes, you can achieve a really mysterious outside sound when thrown into a metal solo or lead melody. Melodic minor, also known as the jazz minor scale, is conventionally used in jazz and bebop.